These cookies ensure basic functionalities and security features of the website, anonymously. Necessary cookies are absolutely essential for the website to function properly. With a foreword by temple designer and artist David Best and a futureword by Founding Board Member Marian Goodell. The result is testimony to a realm far beyond the ego, commerce, and power play of mainstream cultural output: it is one of the most pure, uninhibited, expressive centers of our time. His dazzling images record these participatory, collective, intrinsically ephemeral installations and happenings in the desert, which exist for no clearer purpose than because someone wanted to express something. In this updated edition with fresh images, writer and photographer NK Guy presents 16 years of Burning Man art. It’s also the incubator of some of the most remarkable site-specific outdoor art ever made: a mechanized fire-breathing octopus, a towering wooden temple 15 meters tall, and the eponymous Man himself-a skeletal sculpture set ablaze at the event’s conclusion. Baked by the sun, and blinded by dust, the gathering acquires different meanings for different people: temporary community, spiritual adventure, performance stage, desert rave, social experiment. This is the surreal and amazing site of Burning Man.

Except, that is, for one brief week at the end of each summer, when a temporary city rises out of the barren clay. The region has been an empty and windswept dry lake bed for most of the past 10,000 years. The Burning Man Festival – One hundred miles from the gambling town of Reno, in the wilderness of northern Nevada, lies a vast, hostile plain known as the Black Rock Desert.

Art of Burning Man by N.K. Guy